Related Paintings of Auguste renoir :. | Bouquet of Chrysanthemums | Photo of painting Garden Scene in Britanny. | The Clown | Fraises | Sleeping Odalisque |
Related Artists:
Jean Pucelle
French Gothic Era Manuscript Illuminator, ca.1300-1355 was a Parisian Gothic-era manuscript illuminator, active between 1320 and 1350. His style is characterized by delicate figures rendered in grisaille, accented with touches of color. Pucelle's most famous work is the The Hours of Jeanne d'Evreux, c. 1324-1328.
Jacques-Eugene Feyen
(1815, in Bey-sur-Seille, Meurthe-et-Moselle - 1908) was a French painter. The elder brother of painter Auguste Feyen-Perrin, Jacques-Eugene enrolled at the Ecole des Beaux-Arts and studied under Paul Delaroche. He had a notable career at the Paris Salon from 1841 to 1882. Vincent Van Gogh was a fan of Feyen and describes him as, "one of the few painters who pictures intimate modern life as it really is, and does not turn it into fashion plates." He set up studio and settled in summer in the town of Cancale.He spent several months every year painting views of Cancale, the oyster-picking Cancalaises and the bay of Mont St. Michel, and his paintings still enjoy a steady fame.
George Bellows
1882-1925 Growing prestige as a painter brought changes in his life and work. Though he continued his earlier themes, Bellows also began to receive portrait commissions, as well as social invitations, from New York's wealthy elite. Additionally, he followed Henri's lead and began to summer in Maine, painting seascapes on Monhegan and Matinicus islands. At the same time, the always socially conscious Bellows also associated with a group of radical artists and activists called "the Lyrical Left", who tended towards anarchism in their extreme advocacy of individual rights. He taught at the first Modern School in New York City (as did his mentor, Henri), and served on the editorial board of the socialist journal, The Masses, to which he contributed many drawings and prints beginning in 1911. However, he was often at odds with the other contributors because of his belief that artistic freedom should trump any ideological editorial policy. Bellows also notably dissented from this circle in his very public support of U.S. intervention in World War I. In 1918, he created a series of lithographs and paintings that graphically depicted the atrocities committed by Germany during its invasion of Belgium. Notable among these was The Germans Arrive, which was based on an actual account and gruesomely illustrated a German soldier restraining a Belgian teen whose hands had just been severed. However, his work was also highly critical of the domestic censorship and persecution of anti-war dissenters conducted by the U.S. government under the Espionage Act.